Si Quentin Tarantino necesitara alguna vez alguien en quien confiar ciegamente la banda sonora de sus películas, Dan Sartain sería sin duda el hombre adecuado. Este imberbe nativo de Alabama lleva cosechando elogios desde que su álbum debut Dan Sartain VS The Serpientes vió la luz hace ya tres años. Y es que su mezcla de punk/country/surf/mariachi encandila en cuanto arrastra los primeros acordes.

Dicen de él los que “saben” que bien pudiera ser la reencarnación de Johnny Cash... y no exageran. Join Dan Sartain reúne una amalgama de sonidos crudos que van del rockabilly al punk y cuenta historias cotidianas (dentro de los filmes de Tarantino, se entiende) sobre pistolas, cuchillos, putas y la siempre existente posibilidad de morir de un tiro en la espalda.

Join fue grabado a caballo entre Londres y San Diego con producción de Liam Watson (White Stripes, the Kills, The Zuttons) y la colaboración/producción de John Reis (Rocket From The Crypt, Hot Snakes).

Descúbrelo antes de que te lo cuenten los que “saben” de esto.

Dan Sartain Vs. The Serpientes

Busting outta Birmingham, Alabammy, 21 year old Dan Sartain is a troubadour on course to collide into greatness. His Swami debut, "Dan Sartain Vs. The Serpientes, culls recordings past and present to put forth a cohesive work that showcases this unsuspecting talent. Ranging from ramshackle, bent, rock n roll, delineation that combines aspects of punk's forefathers/mothers with the greasy mind of a fourth generation coal miner, to beautifully sparse arrangements of eloquent despair, to downright perverse inclinations, "Dan Sartain Vs. The Serpientes" at times sounds as if Jonathan Richman wanted to be Hank Williams instead of Lou Reed or if The Voidoids were fronted by Hasil Adkins. Don't get me wrong. This ain't country-fried, barroom, pap that reeks of the post-punk midlife crisis. This is the true voice of a man/boy searching and unaware.

I first met Dan in Nashville summer of '98. He was there to break into the biz and break out of Birmingham. A boy and a guitar. He passed along a self released LP ("Dan Sartain and the Crimson Guard") that featured his earliest work recorded on a 4 track cassette recorder. Some time had passed when Rocket from the Crypt axe man/bad dude N.D. urged me to finally spin the thing. He had received one as well and was floored. My reaction, a similar one, and I vowed to keep an eye on this burgeoning force. I used my then radio DJ gig to test some of his tunes out on the unsuspecting public and was amazed by the overflow of interest from such a diverse cross section of folk. This proved as I suspected, Dan's gift is to take disparate musically forces and make something that not only has little resemblance to the inspiration but appeals to just about anybody. Over the years we became friends and his passion for song and word became increasingly evident. I quickly was in awe of his sponge-like ability to immediately absorb the sounds around him. Then I became jealous of his ability to perform wonderfully whether alone, with a drummer, or with the full backing of a band. His vision- nothing or nobody is gonna stop me. By the time of his 2nd self financed release, "Romance in Stereo", I was convinced. With well warranted respect and admiration I forced Dan to sign a 17 year deal worth in the hundreds to the Swami Empire.

The concept for "Dan Sartain Vs. The Serpientes" was simple. Combine the finest examples of his natural talent using recordings from his earlier work and more fleshed-out recordings of his newest material. Out to San Diego came he where 2 landmark sessions took place. First, it was off to Drag Racist with myself behind the controls making sure it never strayed from the raw sounds that I adore. Here, Dan was backed by Mario Rubalcaba (RFTC, Clikitat Ikatowi, Sea of Tombs, Thingy, etc) on drums and John and Dean Reis on bass. Dan, with his feedbacking, hollow body guitar lead us through uncharted territory. Tracks such as "Trying To Say”, "PCB 98'" and "Metropolis" are but some that benefited from this chemistry. Next it was off across town for round 2. Nestled in the confines of Strange Sounds with producer Gar Wood, Dan met up with Beehive and the Barracudas and collaborated on such songs as "Cobras pt.1" and "Cobras pt. 2". Gar then urged Dan to strip it down to the bare minimum resulting in "Got That Feeling" captured in the living room complete with Delta Flight 565 flying overhead in the middle of the song. Wow. The rest of the CD is rounded out with tracks taken from his two previous self released albums. This material was captured perfectly in an immediate setting and improving upon them is impossible. Songs such as "I Could Have Had You" and "Walk Among The Cobras pt. 1" have a simplistic and free quality that will move those with a taste for the undistilled.

Meanwhile, back in Alabama Dan is planning ways to get outta B-ham. His first trip to New York was mere weeks ago and really blew his mind. Earlier this year saw him visit Chicago where his was much impressed by the El- train commenting, " Man, it's just like a rolli-coaster!". A fire has been lit inside of him and packed in his '72 Ford station wagon he aims to get out and be heard. And watch out, cuz he is horny! Swami Records is especially proud to present to you "Dan Sartain Vs. The Serpientes". This is the future and the past of the tradition of great voices that have bubbled up from the underground well of rebel thought.